Feedback: Rachel Mounsey
Rachel Mounsey, a highly regarded Australian photojournalist originating from Mallacoota, Victoria's most secluded town, is a key member of the esteemed Oculi collective. A compelling fusion of press, documentary, and socio-environmental photography characterises Mounsey's work. She is celebrated for her dedication to narrating everyday stories from regional cultures within Australia and internationally. Mounsey's distinctive viewpoint and artistic proficiency have garnered her a significant following on Instagram and recognition as one of Australasia's leading emerging photographers.
Rachel Mounsey, in her feedback, advised me to consider establishing a professional rapport with Judith Crispin. Noting that Crispin's work also resonates with the spirit of landscapes and explores our interactions with them, Rachel emphasised the importance of interdisciplinary collaboration. She highlighted how such a partnership could foster an environment conducive to exchanging diverse ideas and perspectives.
Rachel also provided invaluable insights into my project. She appreciated the personal connection apparent within my landscapes, emphasising the importance of an artist's bond with their environment. This, she noted, is an aspect often overlooked in landscape photography. Rachel expressed her concerns about the disconnection many individuals of white descent have with the land — a sentiment she deeply regrets. She found echoes of her own work in mine, which aims to bridge this disconnect by fostering a sense of belonging and appreciation for the land, underlining the role of personal experiences and emotions in shaping our understanding and depiction of landscapes.
Beyond her artistic perspective, Rachel offered strategic guidance for the exhibition of my work. She proposed hosting the exhibition in an outdoor venue, allowing the artwork to harmoniously coexist with the landscapes that inspired it. She underscored the critical importance of an apt exhibition location and suggested potential venues like the Flinders Street Ballroom. Rachel's recommendation underscores the vital role of the exhibition venue in enhancing the depth of the artwork and enriching the viewer's experience. A carefully chosen venue can provide an immersive experience, enabling audiences to engage with the artwork deeper and appreciate the unique details that make each piece distinctive.
To further enrich my project, Rachel recommended reading Dr David Tracey's book "Edge of the Sacred". The book explores the delicate balance between the sacred and the mundane in our relationship with the land. It presents theories and observations that could prove invaluable to anyone seeking to deepen their understanding and connection with the environment. Rachel's recommendation underscores the importance of lifelong learning and intellectual curiosity in academia, encouraging scholars like myself to broaden our research beyond our specific discipline and to draw inspiration from a variety of sources.
